How artistic gatekeepers are ignoring the editorial reality of using AI visuals in local journalism
In the middle of publishing a nine-part investigative series about the Catholic Church in Milwaukee and its role in shaping local immigration policy, the comments started coming in. Not about the research. Not about the reporting. Not about the politics. The criticism was aimed at the illustrations. The custom and cohesive visuals were produced using generative AI and digitally edited by a human artist. For our newsroom, they solved a problem we’ve run into for years: stock photo archives often don’t cover niche or complex topics well, and when they do, the available images are scattered across styles and...
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